Whitechapel

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At this stage in the game, the name Whitechapel commands respect. Already sitting on one of the most enviable catalogs in contemporary metal, in 2019 they dropped The Valley, showcasing a confident evolution in their sound and standing as a true landmark release that sets a new standard for the genre.

Tracking of Kin was predominantly done at guitarist Zach Householder’s home studio with producer Mark Lewis producing his fifth straight Whitechapel album, making for a very comfortable working environment. „Creating records with him has an effortless flow to it, and we can track things pretty quickly and efficiently these days,“ says Wade. „Mark has a great ear for giving us unique and complementary guitar and drum tones for the songs we are trying to record.“ Spending two weeks hunting for the right rhythm guitar tone before commencing, like writing, the band treat tracking like a job, putting in the hours between 12pm-8pm, Monday to Saturday, which is the most productive way of working. The tracks were then sent off to David Castillo at Ghostward Studios in Sweden in February 2021 for mixing, Ted Jensen mastering it in Nashville in March, making for a total of ten months spent on the record, the longest the band have worked on one to-date. Now, having another album they can be as proud of as its predecessor, it stands them in good stead as they look toward the future. „I see more growth and a limitless potential,“ says Wade. „I think we found a great formula on The Valley, and we used that to create another monumental record for our career that I can’t wait for people to hear. We hope to continue to grow our fanbase with this new album, and always seek to move in a positive direction. I’m excited as the pandemic lessens for the touring world to come back to life and to be able to perform these massive songs we have created in the manner they were meant to be heard – live and loud.“

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